Built from published Kodak, Fuji and Ilford data — characteristic curves, spectral sensitivity, grain measurements. Plus looks of our own, made on the same machinery.
We didn't eyeball these. We couldn't.
91 profiles · 960 video LUTs · Canon · Sony · Fujifilm · Nikon · Panasonic
Beta · An experimental product, still improving
Photographed on location in India, Peru, and California
Each profile is derived from published film data and tested against real scans before release.
The warmth and soul of Kodak's portrait stocks.
Ten presets derived from published Kodak film data — the lifted shadows, creamy skin tones, and gentle grain that made portrait film legendary. Three accurate base stocks plus seven creative looks for every lighting scenario.
Golden warmth, vivid color, and the everyday snapshot look.
The warm, saturated character of classic consumer and professional color negative films. From golden amber warmth to vivid punch to the disposable camera aesthetic.
Cool pastels and green-shifted shadows.
The ethereal, pastel-cool palette of Japanese professional film. Green shadows, cool bias, and the discontinued magic of pastel wedding stocks. Plus creative presets for weddings, florals, and overcast days.
Classic grit. Silver soul. Tabular precision.
The full spectrum of black-and-white film — from contrasty street grain to scientific tabular smoothness. Seven classic stocks plus seven creative interpretations.
Motion picture stock under city lights.
Tungsten-balanced cinema film with a cinematic bloom, plus daylight cinema looks. Neon, rain, bar light — the aesthetic of motion picture stock under city lights.
Deep blacks, vivid reds, and that unmistakable slide film punch.
The legendary Kodachrome look — steep contrast, inky blacks, vivid reds, cyan skies, and muted olive greens. Three base slide film speeds plus four creative variants that capture the spirit of the world's most iconic transparency film.
Dark. Desaturated. Dramatic.
Cinematic color grading for editorial and moody work. Teal and orange, bleach bypass, crushed blacks, cross-processing — the language of cinema applied to stills.
Bright. Luminous. Ethereal.
The most popular aesthetic in wedding, portrait, and lifestyle photography. Bright exposure, lifted shadows, soft contrast — presets that make every photo feel like a perfect afternoon.
Every film emulation profile. One price.
8 collections · 69+ profiles
Every film emulation and simulation look, built as .cube LUTs for ARRI LogC3 and LogC4, RED Log3G10, Canon Log 2 and Log 3, Sony S-Log2 and S-Log3, Panasonic V-Log, Fujifilm F-Log2, Nikon N-Log, DJI D-Log, and Apple Log. Drop on a node and grade.
R5 II, R1, R5, C70
A7 IV, A7R V, FX3
S5 II, GH6, S1H
X-T5, X-H2S, X100VI
Z8, Z9, Z6 III
ALEXA Mini, Mini LF, AMIRA
ALEXA 35
KOMODO, V-RAPTOR, DSMC2
Mavic 3, Inspire 3, Ronin 4D
A7 III, A7S III, FX30, ZV-E1
C300 III, C500 II, C400, C70
iPhone 15/16 Pro
Works in DaVinci Resolve, Premiere Pro, and Final Cut Pro. Standard .cube format.
Eleven film simulation looks that changed how photographers see colour — the muted documentary tones, the vintage negatives, the amber nostalgia. Measured from a colour target on real hardware. Built as profiles for Canon bodies.
11 profiles for the R5 II, with a sensor correction measured on that body. The colour science you love, on your Canon.
11 profiles for the R1, measured from a colour target. Same looks, restricted to your body in Lightroom.
Sony & Nikon bodies coming soon. See all supported cameras
All 69 film emulation profiles across 8 collections. Lightroom profiles with full slider control.
Every collection + 12 stackable grain & vignette utilities
Most preset makers eyeball their way to "close enough." We took the opposite approach — a system built on published data, not subjective tuning.
Film emulations start with the manufacturer's own data — Kodak's characteristic curves, Fuji's spectral sensitivity charts, published grain measurements. Not someone else's Instagram feed.
Primary sources: Kodak Publication E-4050, Fuji technical data sheets, published RMS granularity values.
Lifted black point? That's a tone curve. Warm shadow tint? Color grade. Every parameter in every preset has a documented reason.
Each value traces a chain: published datasheet → film characteristic → Lightroom parameter.
Nobody hand-tweaks presets in Lightroom here. They're generated from code — built the same way every time, with no room for guesswork to creep in.
Change a parameter, rebuild, test. Repeatable by design.
Nothing ships untested. Colour, tone, skin safety and file integrity, on every profile in the catalogue. Film emulations get scored against the published stock data on top of that, and have to clear 80/100.
More than 4,800 automated tests run before any release.
Standard .cube format · Amount slider (0-200%) · Syncs to mobile · Works beyond Lightroom